Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912

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Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912

Auteurs : Lynn Hooker

Source :

• The Musical Quarterly [ 0027-4631 ] ; 2005.

RBID : ISTEX:076D3A468BD090602218CA474BB21928ED76FC88

English descriptors

• Teeft :
  • Anonymous review, Antal, Artistic development, Aurora, Bach transcription, Balassi kiad, Bence szabolcsi, Budapest, Budapest concert, Budapest philharmonic, Budapest philharmonic society, Budapesti esztendeje, Busoni, California press, Church modes, Common features, Concert, Concert hall, Concert season, Concert series, Considerable material losses, Cultural ministry, Dear professor, Debussy, Denijs dille, Dezso, Dille, Early music, Egon wellesz, Elegy, Elisabeth bernard, English piano pieces, Entire concert season, Entire season, Ethical point, Expressive power, Faulty ears, Fearful bastion, Ferenc, Ferruccio, Ferruccio busoni, First concert, First declaration, First place, First umze concert, Folk music, Folksong, Former student, Fourth concert, Friend etelka freund, Further discussion, Genuine folk music, Genuine hungarian folk music, Gizella selden, Greatest amazement, Greatest measure, Greek folksongs, Grove dictionary, Gypsy music, Gypsy style, Herr professor, Honorary president, Hungarian, Hungarian advocates, Hungarian character, Hungarian composers, Hungarian critics, Hungarian folk music, Hungarian folksongs, Hungarian music, Hungarian music society, Hungarian musicians, Hungarian style, Hungarian works, Hungary, Ideal simplicity, Ihre, Imre, Imre waldbauer, Initial report, International appeal, Italian piano pieces, January, July, June, Large concerts, Liszt, Liszt centennial, Lynn hooker, Magyar, Main goals, Malcolm gillies, March concert, Mesterek zongoradarabjai, Miksa kriener, Modern music, Modern style, Modern works, Modernism, Modernist, Modernist music, Modernist style, Modernist works, Music academy, Music library, Music scene, Music society, Musical elements, Musical life, Musical nationalism, National library, National music, National symphony, National symphony orchestra, National theater, Neuen ungarischen musikvereines, Newer compositions, Next year, Nineteenth century, October, Older music, Original hungarian, Original hungarian texts, Original text, Other concerts, Other evidence, Other members, Peasant music, Pesti hirlap, Piano accompaniment, Piano pieces, Plain text, Popular concerts, Public approx, Quartet, Raucous throats, Ravel, Reger, Regular members, Repertoire, Rich programs, Richard taruskin, Russian folksongs, Same time, Scarlatti, Scarlatti pieces, Schoenberg, Second concert, Second quartet, Short intervals, Small bounds, Social isolation, Song antal songs radnai, Soprano solo, Stanley sadie, String quartet, Style hongrois, Szeged, Taruskin, Third declaration, Trio concerts, Trio evenings, True folk music, Twentieth century, Umze, Umze board, Umze concert, Umze concerts, Unbelievable stagnation, Unknown letters, Unpublished letter, Unpublished postcard, Untenable relations, Victoria louisen platz, Vilmos, Vilmos piano sonata, Waldbauer, Waldbauer concert, Weiner, Wellesz, Wide world, Worthwhile work, Young composers, Young generation, Younger musicians, Zene.

Url:

• https://api.istex.fr/document/076D3A468BD090602218CA474BB21928ED76FC88/fulltext/pdf

DOI: 10.1093/musqtl/gdi013

Affiliations:

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